All posts by Pedro Gómez

“End of the Certainties”, for Pronomos Flute: Premiere Documentary

I am pleased to share with you the documentary about my piece “End of the Certainties”, composed for Pronomos Flute and Electronics and premiered by Julián Elvira at City University of New York on June 22, 2015. This event also incorporated visual art reactive to the music in real-time, entirely developed by Marta Verde.

The video has been wonderfully made by Tom Skipp. Thanks a lot for this amazing work.

 

Further information about this exciting project can be found through the next links:

And of course, up-to-date information about my music will be posted here. Stay tuned!

“End of the Certainties”, for pronomos flute and pre-recorded electronics

On June 22, 2015, my piece “End of the Certainties“, for pronomos flute and pre-recorded electronics, was premiered by Julián Elvira in The Graduate Center, CUNY (New York). The event, called “Pronomos in NY“, included also interactive visual art in all the pieces developed by Marta Verde in order to generate an unpredictable spectacle enhancing all the features of this new intrument.

I was honoured to be in the same programme as Alberto Posadas, Julián Ávila, Eduardo Costa, Javier Arias, Alexandr Gardner and Inés Thiebaut.

Here you can listen the three parts of “End of the Certainties“, and also in the “Music” tab of this webpage. Enjoy them!

Part 1: ” Bodies in Dissolution”

 

Part 2: “Irreversible Scintillation”

 

Part 3: “Multidimensional Sphere”

 

 

Pronomos in New York

There are only 3 weeks left for a special event that will include a premiere of my music. The flute virtuoso Julián Elvira and the visual artist Marta Verde will develop an unpredictable spectacle created around the “Pronomos Flute”, a new instrument that constitutes the last step in the Boehm flute evolution.

In this event, a piece of mine called “The end of the certainties“, for Pronomos Flute and electronics, has been honoured to be in the same programme as Alberto Posadas, Julián Ávila, Eduardo Costa, Javier Arias, Alexandr Gardner and Inés Thiebaut.

Do not miss this special evening on June 22nd, 19.00, at CUNY (365 5th Avenue, NY).

Further info: https://comoconquistarnyen130.wordpress.com/

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“Alarido, atrapada en una noche sin fin”

On previous 28/02/2015, my piece “Alarido, atrapada en una noche sin fin” was premiered at Real Academia de Bellas Artes de San Fernando, in Madrid. This composition is written for flute, clarinet (doubling bass clarinet), violin, cello and piano and was played by Rubik Ensemble as part of the project called “VOCES para la mujer invisible” (organized by M14 Creación Contemporánea and Asociación de Mujeres en la Música).

This piece can be listen here, and also in the “Music” tab of this webpage:

VOCES para la mujer invisible: 28 febrero, Madrid

Próximo estreno: “Alarido (atrapada en una noche sin fin)”, para flauta, clarinete, violín, violonchelo y piano. Será el sábado 28 de febrero a las 12.00 en la Real Academia de Bellas Artes de San Fernando (C/Alcalá 13, Madrid).

La pieza forma parte de VOCES, un proyecto que mezcla danza y música con el objetivo de tratar las diferentes realidades que sufren las mujeres en distintas partes del mundo. Está organizado por la Asociación de Mujeres en la Música y contará con el Rubik Ensemble y con las bailarinas de Terpsícore en danza.

Más información: aquí.

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Sculpture and Music – Ocho miradas a Chillida

Here you can find all the details about “Ocho miradas a Chillida“, a piece for solo cello written by eight young composers and friends that was presented at Museo de Navarra on 20/06/2014.

  1. Dossier with embedded videos: http://www.calameo.com/read/0020748619e44d8749315
  2. Dossier for printing version: http://www.calameo.com/read/002074861015b81a4963f
  3. Downloading link: https://drive.google.com/file/d/0B5S-YWCOlg_NbjVLZzhvRkpUZ2s/view?usp=sharing

All the audiovisual materials were generated by Fundación Ars Incognita.